Some cameras are designed to be pragmatic tools, meant to reliably get the shot without fuss no matter what situation you throw them into. Other cameras put form first, offering stylish designs meant to inspire your creativity. It is a rare camera that does both equally well. This excellent video review takes a look at one such camera and why it will make you want to go out and shoot with it.
85mm lenses are some of the most popular out there, but premium options can easily run well north of $2,000, which may be a lot more than you want or need to spend. There are many more affordable options that produce great results, and this excellent video review takes a look at two for Canon mirrorless cameras, the Viltrox AF 85mm f/1.8 RF II and Canon RF 85mm f/2 Macro IS STM.
The Sony a7 III was widely lauded as one of the most impressive and well-balanced hybrid cameras ever made, making its successor, the a7 IV, one of the most highly anticipated releases in recent memory. Now that the a7 IV is here, is it worth upgrading from the a7 III or can you stick with what you already have? This great video comparison will help you answer that question.
I picked up a Fujifilm X-T4 about five months ago to use primarily as a backup camera and for street photography, video, and family use. Although I shoot with a Canon system in my studio, I fell in love with Fuji’s cameras years ago when I acquired an X-Pro1 and a few X lenses. In this article, I offer a friendly critique and some suggestions for Fuji to improve an already great camera system.
In the past year, Fujifilm has been on a tear, releasing a wide range of powerful new cameras and versatile lenses. One such lens is the XF 18-120mm f/4 R LM PZ WR, which combines a do-it-all focal length range with a variable power zoom for filmmaking applications. This excellent video review takes a look at the 18-120mm f/4 and the sort of image quality and performance you can expect from it in practice.
We take a lot for granted in the digital era, particularly the automation of a lot of functions. In the early days of film, everything was fully manual, and even one parameter set incorrectly could ruin an entire roll. Later in the 20th century, a standard called DX (Digital indeX) was introduced, and it automated a lot of settings, reducing errors and making photography more accessible to amateurs and casual users. How did it work? This neat video takes you behind the scenes of the surprisingly sophisticated system.
