Some of us photographers, particularly those of us who create content of any description, have worked our way through a lot of cameras, both owned and tested. One photographer has used nearly 90 cameras since 2016, and decided to rank them all.
Wildlife photography can be incredibly rewarding when things go right, but it’s incredibly difficult to master. That’s why when you have a good photo that’s let down by a few of the camera settings, you should use Lightroom to transform that drab shot into something much more beautiful.
Fujifilm has made medium format remarkably affordable compared to the past, bringing it within the realm of full frame prices and making it a viable alternative for many photographers. If you are interested in getting into the system, both the GFX 50S and GFX 50S II are fantastic options at different price levels, and this great video will help you choose which is right for you.
While most photographers use a drone to create aerial images, sometimes, that isn’t enough. Sometimes, you want to soar like an eagle, going 50 mph over the sheer face of a mountaintop as you photograph. If that sounds like you, then let me share with you the story of Bernard Chen, paraglider and photographer extraordinaire.
Buying your first camera is certainly an exciting time, but it is also a significant investment and one that should be considered very carefully before you pull out your credit card. If you are thinking about purchasing your first video camera and need a bit of advice on how to go about it, this excellent video tutorial will give you nine tips to help ensure you do not experience any buyer’s remorse down the road.
Sony’s a7 III was one of the most respected hybrid cameras of recent years, and the a7 IV builds on the camera’s well-rounded capabilities with a range of new features and improvements that make it an intriguing option for a lot of creatives. This excellent video review takes a look at the video capabilities of the new camera and how they perform in practice.
I’ve been in the game for a little while, and along the way, there have been a few “new” things. New flashes, diffusers, scrims, softboxes, continuous light panels, LED wands, animated photos, cinemagraphs, mirrorless cameras, the list goes on and on, not to mention Photoshop and Lightroom, which update more often than I wash my sheets. But the one “new” I was not expecting to face was a new photography usage that has made me have to think anew about composition: Instagram.