Photographers typically have dozens of options when it comes to portrait lenses, with something available to fit just about every budget. Near the top of the mountain is the Fujifilm GF 110mm f/2 R LM WR, a premium portrait lens for Fuji’s respected line of medium format mirrorless cameras, and this excellent video review takes a look at the sort of performance and image quality you can expect from it in practice.
I upgraded my camera to the Canon EOS R5 last year and have since been shooting with my adapter ring and the EF lenses. If this sounds like jargon to you: let me catch you up to speed. Canon launched its first mirrorless camera in 2018, and the mount on the mirrorless cameras is different than the ones of the previous DSLRs. As a workaround, you can use an adapter ring to shoot with your older EF lenses on the new mirrorless cameras.
CineStill film is hyped to the absolute max, and whether you love it or hate it, they have built a pretty impressive company and injected new life into the film community. Thanks to them, we now have packaged motion picture stocks, ready to shoot in film cameras and be developed in C-41 chemicals.
A couple of weeks ago, Blackmagic Design released a firmware update for their popular Pocket Cinema Camera lineup, the BMPCC 4K, the BMPCC 6K, and the BMPCC 6K PRO variants. The update has a slew of useful updates to the interface and the camera’s functioning, but the biggest feature was a hidden one: these cameras can now record gyro data to their Blackmagic raw files.
If you asked many photographers what magical device they would love to have, an adapter that turns manual focus lenses into autofocus ones would probably be near the top of many lists. For Sony shooters, there is the Techart PRO Version II, which allows Leica M lenses to autofocus on E mount mirrorless cameras, and this awesome video review takes a look at the adapter and the sort of performance you can expect from it in real-world usage.
Olympus has been assigning the Zuiko name to its range of high-quality lenses since 1936. Zuiko-branded lenses were made for SLR, rangefinder, and automatic point-and-shoot cameras in medium format, 35mm, and even half-frame formats. Assessing the best of anything in photography leads to vivid debate and lots of room for subjectivity. Here are my 5 reasons why I believe Olympus knocked it out of the park with their Zuiko range, and when you look at all factors are the best film lenses ever made. Be sure to leave a comment to let me know your thoughts.
A common misconception surrounding success on YouTube is that it all hinges on the best or right gear for the job. A lot of readers of Fstoppers are here to research cameras and lighting to level up the quality of their videos, and rightfully so. But without the right processes in place, no amount of professional quality gear will matter. I can guarantee you that 99% of where content creators go wrong on YouTube is in the planning stages, before they even press record. Trust me.
The Sony a7 IV and Fujifilm X-H2 are two of the most well-balanced mirrorless cameras currently on the market at their price point, and as such, they are great bread and butter options for a wide range of photographers and filmmakers. If you are interested in the two cameras and wondering which is right for you, check out this excellent video comparison that will help you pick between the two.
The Sony a7 series of cameras really accelerated the photography world’s transition into the mirrorless realm, and the company continues to offer highly competitive options that keep other manufacturers on their toes. Are they right for you? This interesting video features one photographer discussing his thoughts after a year using the Sony system.
