Original, innovative photography is hard to find. However, Ethan Beckler has excelled. He leads the way in macro photography, pushing camera and lens technology beyond normal limits and creating astounding art at the same time. With great generosity, he shares his techniques with us.
Both Sony and Canon make some highly respected supertelephoto zoom lenses that offer versatile focal length ranges and impressive image quality, making them ideal for tackling a wide range of scenarios across multiple genres. This excellent video comparison pits the Sony FE 200-600mm f/5.6-6.3 G OSS against the Canon RF 100-500mm f/4.5-7.1L IS USM, taking a deep look at what you can expect from both lenses.
The camera world is absolutely awash in supertelephoto zoom lenses right now, and there are plenty of options out there with varying capabilities and price points. This excellent video comparison takes a look at two of the best options, the Sigma 150-600mm f/5-6.3 DG DN OS Sports and the Sony FE 200-600mm f/5.6-6.3 G OSS.
The recent press about an upcoming Nikon camera — denoted the “N2014” — highlighted a government registration filing that suggests it will be “equipped with Wi-Fi, Bluetooth, and Global Navigation Satellite System (GNSS).” This has been a positive media development for Nikon as, if correct, it would make them the first camera manufacturer to integrate GNSS into one of their products. Is the camera industry being disingenuous by their slow adoption of existing technologies?
When photographers hear overcast skies, we immediately think of flat light. What this usually means is an overall lack of detail and contrast, especially in the sky. It might be easy to assume that the sky during overcast days is uninteresting, but I want to show you the opposite, that overcast days are some of the best times to get deep and dramatic images. In this video and article, I’ll be walking through how to shoot and edit dramatic clouds during overcast conditions in Adobe Lightroom Mobile.
