You may remember my 2019 review of the original Arsenal hardware. It was a block box you attached to your DSLR or mirrorless camera and it automated many of the tasks photographers face on a regular basis. The Arsenal sold quite well. While it had some good points that could speed or improve a photographer’s workflow, it left a lot of buyers unhappy and it seemed to wind up on a lot of shelves and in a lot of drawers, rather than in camera bags. Now we’ve got Arsenal 2.
The 24-70mm f/2.8 lens is the workhorse you will find in a ton of photographers’ bags, as it provides a useful zoom range in tandem with a wide maximum aperture. That being said, such lenses are generally rather expensive. If you do not need that wide aperture, you can save a lot of money and get more reach by opting for a lens like the NIKKOR Z 24-120mm f/4 S. This great video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Zoom lenses have come a long way in the last decade, but primes still hold the advantage in maximum aperture, portability, and often, image quality. All this is why a lot of photographers steadfastly stick with bags of prime lenses instead of just a zoom or two. So, why would a prime enthusiast use zoom lenses? This great video essay features an experienced photographer discussing the issue.
The 70-200mm f/2.8 lens is one of the classic workhorses in countless photographers bags, suitable for a huge range of genres and scenarios. As such, you can often expect top-shelf performance out of professional 70-200mm f/2.8 lenses. For Sony shooters, there is the FE 70-200mm f/2.8 GM OSS II, and this excellent video review takes a quick look at the image quality and performance you can expect from it in usage.
Wedding photographers often have to wear several distinct hats over the course of a day, and as such, they need a wide variety of gear in their bags to be sure they have all situations covered. If you are wondering what all it takes to pull off a full day of shooting, check out this great video that takes you through a professional wedding photographer’s gear bag.
Godox’s line of flashes, including the incredibly popular AD200 and V1, have become a mainstay of the on and off-camera lighting market. They’ve become so popular, in part, thanks to the surprising value and feature set offered at each price point. As a result, the AD100Pro, a new addition to the line, has quite the legacy to live up to. Has it earned a place in photographer’s bags?
No one enjoys the hassle of going through airport security, but for photographers and filmmakers, it can be especially frustrating and tedious to deal with having all of our gear unpacked, inspected, and repacked, and it can be a serious delay. TSA PreCheck has the potential to alleviate a lot of that, though. Is it worth the $85 fee for five years? This great video essay discusses the topic.
