Few focal lengths are more versatile than 35mm, being wide enough to tackle things like events coverage, landscapes, and astrophotography, but not so wide that things like portraits are not reasonable. Sony shooters have a premium option in the FE 35mm f/1.4 GM lens, and this awesome video review takes a look at the sort of performance and image quality you can expect from it in practice.
Night photography can be technically daunting. Even with modern cameras, it’s not easy to capture high-quality night photos. While photographing the stars already requires high ISOs combined with wide apertures, capturing details in the landscape is even more difficult in the dark. In this article, I walk you through my night photography workflow, which combines image averaging with time blending and focus stacking to achieve high-quality results.
A wide-aperture 24mm lens is one of the most useful primes you can carry in your bag, offering a wide but not too wide focal length that can work in a variety of scenarios. The Samyang AF 24mm f/1.8 FE offers great image quality at an affordable price, and this great video review takes a look at the performance and image quality you can expect from it.
I’m occasionally asked to recommend a camera to get into astrophotography. Of course, my first answer is to use the camera and lenses you already have. Beyond that, it’s difficult to recommend a specific brand and model because I don’t have every camera at my disposal, and we are blessed (cursed?) with a continuous stream of new and improved cameras. Here are some thoughts.
If you’ve viewed deep-sky astrophotos (not landscape astrophotos), you may have noticed that extremely long exposures (not counting mosaics) are used. In extreme cases, exposures may run over 12 hours. Unless you have a space telescope, it should be obvious that multiple exposures have been used.
As we transition from summer to fall, two of the most photogenic planets, Jupiter and Saturn, have passed the point of closest approach (opposition) to the Earth for the year. Yet, they still make great targets for planetary astrophotography, especially since they are now high in the sky soon after sunset. As another bonus, photographing these planets does not require traveling to a dark sky site. This kind of astrophotography can be done from our backyards.
If you’re into astrophotography, a drone typically isn’t your camera of choice. That’s why I was surprised to see Haida’s release of a light-pollution reducing filter for the new Mavic 3, which they’re calling the NanoPro Clear-Night Filter. Does this filter change the experience of shooting with a drone at night?
