It’s bigger and costlier than last year’s Pixel 4A, but Google’s mid-priced Android phone remains the best option for almost everyone.
Astrophotography
Skills Every Photographer Should Have for Night Sky Photography
The night sky offers stunning photographic opportunities for all sorts of genres, but with those comes an array of challenges that require some specialized skills. This helpful video tutorial discusses some of the most essential skills photographers need to have for night sky work.
Testing the Google Pixel 6 Pro for Landscape Photography
Mobile phones have been hauling gains in usability for photography and videography year on year. It’s comfortably to the point where a cutting-edge smartphone in the right hands can create images — particularly those that do not require a narrow depth of field — that is indistinguishable from interchangeable lens cameras.
A Review of the Voigtländer Nokton 35mm f/1.2 SE Lens
35mm lenses with wide maximum apertures are some of the most popular and versatile out there, suitable for a huge range of applications, from events coverage to portraits, astrophotography, and more. The Voigtländer Nokton 35mm f/1.2 SE is quite an interesting alternative to many mainstream options, and this excellent video review takes a look at the lens and the sort of performance and image quality you can expect from it in practice.
Do You Need To Be the Best at Photography?
It’s probably fair to say that we would all like to improve our photography, perhaps in a small specific way or maybe a whole new aspect, such as off-camera flash or wedding photography. Having a desire to improve is why we do things like buying lots of expensive new equipment in the hope it will improve our images or spend hours taking photos and editing them, much to the annoyance of our family and partners.
Photoshop Isn’t King Here: The Speciality Programs That Are Just Plain Better
Just about every important image I publish or send to a client passes through Photoshop. It’s an essential part of my workflow, and if you’re like most photographers, I’m sure it’s a part of yours. There are, however, a number of cases where I’ve just found a significantly better tool for the job, one that’s worth paying for. Want to see why you should consider snagging these programs that beat Photoshop at their own game?
