Let me rewind the clock by a decade: it’s the tail end of 2012, and the NYPD was in the process of clearing out Zuccotti Park in Lower Manhattan. Over the last year, Occupy Wall Street had been picking up steam, with an encampment filling the better part of the park and protests regularly spilling out into the streets.
Have you ever wanted to produce a night shot but during the day? Well, it’s possible, and it’s not even that difficult if you know how to control light properly. In this video, go behind the scenes on an outdoor shoot during the day that yields images that look as if they’re in the middle of the night.
As you can see, recently, I have been doing an evaluation of all the gear I have in the studio. This time, I looked at a dozen or so light modifiers that I own and selected my top five favorites. Rather surprisingly, they are far from what “conventional” light-shaping tools are.
With shorter daylight hours and longer dark, cold, and wet nights, it’s time to think about what to shoot indoors: something new perhaps? For myself, it’s going to be trying something new, and that’s macro with the Astrhori 85mm f/2.8 Macro Tilt lens.
Do you ever feel challenged by the creative energy of your subjects? The pressure to create something unique when you’re walking amongst giants? I had a chance to talk with renowned music photographer, Denis O’Regan about shooting some of the biggest names in modern music history.
As a professional photographer, I use quite a lot of different gear to make my photographs, from cameras to lenses, to tethering stations and solid state drives, and lights. In this series of articles, I will tell you exactly what gear I use and why, starting off with cameras and lenses.
