When it comes to post-processing, one of the most useful tools at your disposal is the luminosity mask, which can help you create more precise and efficient edits. If you have not tried luminosity masks if your work before, check out this fantastic video tutorial that will show you the ins and outs of creating and using them.
DJI recently released the Mini 3, the latest entry in the company’s respected and widely varied line of consumer drones. Despite coming in a remarkably portable package (8.8 oz or 249 g), the Mini 3 still comes with a wide range of modern features and capabilities. This excellent video review takes a look at the Mini 3 and the sort of performance and image quality you can expect from it in usage.
While there are extreme cameras out there that offer things like ultra-high levels of resolution or super-fast burst rates, for the majority of photographers, they are a bit of overkill. Cameras with more moderate specifications and features will satisfy the needs of most of today’s photographers, and two of the best options out there are the Canon EOS R6 Mark II and the Sony a7 IV. This great video comparison takes a look at both to help you decide which is right for you.
Canon has clamped down tightly on the RF mount, disallowing essentially any third-party lenses with autofocus. This has been to the dismay of many photographers who embraced lenses from companies like Sigma and Tamron, which often offered options that were either cheaper or simply not available from Canon itself. At least one company is still highly interested in the RF mount, as recently confirmed by Sigma’s CEO, Kazuto Yamaki.
There are several timeless photography debates that are fun to engage in but will probably never be resolved to everyone’s satisfaction. There’s film versus digital, zoom lenses versus primes, small compact minimalistic camera versus fully featured monster-sized pro camera, and of course, continuous lighting versus strobe lighting. This article will not seek to determine whether strobes or constant lights are better for portraiture, but we will take a deep dive into how one photographer used continuous lighting on a recent celebrity shoot.
Recently, Canon announced the EOS R6 Mark II mirrorless camera, and alongside it came the RF 135mm f/1.8 L IS USM lens, the update to one of the company’s most popular lenses, the EF 135mm f/2L. As such, expectations are high for the new version. This great review takes a look at the new lens and the sort of performance and image quality you can expect from it in usage.
