It always starts innocently enough: you buy a new camera and start taking photos. Then someone you know asks a favor and you’re all too happy to oblige them with all the photos you can snap. Fast forward just a small amount of time later and you realize, with great sorrow, this phase of freebies doesn’t have an end.
Finding success in a single area of the photography industry is no small task. And yet, R. J. Kern has managed to find success not only as a wedding photographer but now as a fine art photographer as well. I sat down with him one afternoon to pick his brain on his top five tips for emerging fine art photographers.
Australian photographer Rob Walwyn is hosting the first exhibition of his project ‘Karrikins’ as part of Sydney’s Head On Photo Festival. Karrikins documents the aftermath of the bushfires that devastated Australia’s east coast in late 2019 and early 2020. What makes Walwyn’s images even more stunning is his use of Kodak’s discontinued false-color infrared film Aerochrome.
Smartphone cameras and AI technology can produce beautiful results. Many of them can intelligently boost colors in an image, blur out a background to mimic larger optics, or even change how you look. The question is: how far is too far with smartphones and AI manipulation of images?
One of the most standard professional lenses for a wide range of genres is the 70-200mm f/2.8, but such lenses are almost always expensive and bulky. In recent years, we have seen a rise in 70-200mm f/4 lenses as alternatives for those who want the versatility of those focal lengths but who do not need the extra stop of aperture. Canon shooters have options in both camps, so which is right for your work? This helpful video comparison takes a look.
