Catchlights are one of those little details in a portrait that are crucial to crafting a professional-level image. Sometimes, you have a photo that is otherwise a great shot aside from the catchlight missing in one of your subject’s eyes due to the angle they were at relative to the light source. Luckily, it is a quick and easy fix, and this awesome video tutorial will show you how to approach it.
When you are going for a hike or on a trip, you do not always want to carry a backpack full of lenses. Sometimes, a single lens that covers every focal length you could conceivably need is the better way to go. For Sony and Fujifilm APS-C shooters, there is the Tamron 18-300mm f/3.5-6.3 Di III-A VC VXD, and this great video review takes a look the kind of performance and image quality you can expect from it in practice.
There is no doubt that the demand for video is steadily increasing, but many of us who have shot exclusively stills for a long time may be reluctant to learn another process and add it to our list of services. If you have been considering expanding your capabilities to include video, this excellent video essay discusses why it could be a great choice for your bottom line.
Tamron has reinvented itself in recent years, making smart compromises to create lenses that are highly practical but that do not break the bank. The 28-75mm f/2.8 Di III was a runaway hit for the company, offering impressive image quality and performance at a price that significantly undercut comparable options. The second generation of the lens is here, and this excellent video review takes a look at the performance and image quality you can expect from it in practice.
Professional wide angle zoom lenses tend to have apertures of f/2.8, but for photographers who do not need that extra light-gathering power, choosing an f/4 zoom can mean significant savings in both weight and cost (and sometimes other gains). For Canon shooters, there is the RF 14-35mm f/4L IS USM, and this great video review takes a look at the kind of performance and image quality you can expect from it in practice.
People who work on the field and sidelines of NFL games are often in harm’s way from players crashing around and off the field during plays, but occasionally, it is a flying ball that causes trouble. One veteran cameraman showed off his toughness recently when a Nick Folk field goal came down directly on his head.
A 100-400mm zoom lens is highly versatile, useful for anything from sports and wildlife photography to landscape work and more. They come in many different options with a wide variety of price points. Canon’s RF 100-400mm f/5.6-8 IS USM sits at the affordable end of the spectrum but still offers some great features, and this excellent video review takes a look at the performance and image quality you can expect from it in practice.
